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      • Open Access Article

        1 - Eros and its Semantic Change in Proclus
        Said  Binayemotlagh Mohammad Javad  Sabzevari
        This paper initially deals with the meaning, place, and role of eros in the view of Proclus and, then, presents the changes that he created in the meaning or role of this concept by bringing it close to its rival Christian concept of ágape. Although Proclus himself neve More
        This paper initially deals with the meaning, place, and role of eros in the view of Proclus and, then, presents the changes that he created in the meaning or role of this concept by bringing it close to its rival Christian concept of ágape. Although Proclus himself never acknowledged this semantic change in any of his books and believed that what he had done was in conformity with Platonic philosophy. Here, the writers demonstrate that, given his intended meaning of eros, there is no opposition between this concept and ágape, and they are, rather, consistent with each other. Manuscript profile
      • Open Access Article

        2 - Happiness and Contemplation of Beauty in Plato’s Symposium
        Hamidreza  Mahboobi Arani
        Diotima’s speech in Plato’s Symposium is one of the most important parts of his works. The present paper exclusively examines the last of Diotima’s speech, where Plato uses some words and phrases focusing on the relationship between happiness and contemplation of beauty More
        Diotima’s speech in Plato’s Symposium is one of the most important parts of his works. The present paper exclusively examines the last of Diotima’s speech, where Plato uses some words and phrases focusing on the relationship between happiness and contemplation of beauty. Diotima claims that, only when a philosopher or lover (here, in love with Sophia) reaches the peak of his love and begins his contemplation of beauty, he could attain knowledge, happiness, and true eternity, but the question is, “How could this claim be interpreted?” The purpose of the author in this paper is to attract the attention of readers to the interpretive point that Plato’s understanding of the meaning of contemplation of beauty should be perceived in the context of an ethical and political program and in relation to the practical life of a citizen rather than within a purely abstract and theoretical inferential framework. The first part of this paper explains the intended problem through an investigation of different sections of Diotima’s speech. In the second part, with particular attention to Alcibiades’ speech, the author demonstrates that, in order to learn about Plato’s understanding of this problem, one must pay particular attention to the various dimensions of this speech. Finally, he concludes the paper by presenting an interpretation of Diotima’s last words based on a general reading of Symposium and, specifically, Alcibiades’ character and words. Manuscript profile
      • Open Access Article

        3 - The Relationships Among Eros, Techne, and Philosophy in Plato’s Symposium and Phaedrus (With a Critical Emphasis on the Views of Vlastos and Nussbaum)
        Javid  Kazemi Seyyed Mohammad  Hakak Ali Naqi  Baqershahi Mohammad Raayat Jahromi
        Eros, the Greek god of love, in addition to its different meanings in the pre-Socratic mythological and philosophical history, has been used in Plato’s philosophy in different senses. This diversity has misled its interpreters in translating it into erroneous meanings s More
        Eros, the Greek god of love, in addition to its different meanings in the pre-Socratic mythological and philosophical history, has been used in Plato’s philosophy in different senses. This diversity has misled its interpreters in translating it into erroneous meanings such as love. The present paper examines the meaning of eros in Plato’s two Dialogs of Symposium and Phaedrus and then explores its relationship with philosophy and techne. In the dialog of Symposium, after being used in some different meanings, Eros is used in the sense of the longing and desire for observing absolute beauty, which is the same philosophy. This is because in Plato’s philosophy, the difference between the Idea of the good (philosophy is a motive for viewing it) and the Idea of beauty is mentally-posited. In other words, the Ideas of the good and absolute beauty are the same truth that is viewed from two points of view. Now that dialectics – an activity in which multiple details are recognized from the one and the one from multiple details – is introduced in the dialog of Phaedrus as an instrument of techne, it can be concluded that the Platonic lover, and the philosopher cannot perceive the Idea of beauty (or the good) unless through techne. The major problems in this paper are discussed based on the views of two interpreters of Plato, Gregory Velastos and Martha Nussbaum. Manuscript profile