Eros, the Greek god of love, in addition to its different meanings in the pre-Socratic mythological and philosophical history, has been used in Plato’s philosophy in different senses. This diversity has misled its interpreters in translating it into erroneous meanings s
More
Eros, the Greek god of love, in addition to its different meanings in the pre-Socratic mythological and philosophical history, has been used in Plato’s philosophy in different senses. This diversity has misled its interpreters in translating it into erroneous meanings such as love. The present paper examines the meaning of eros in Plato’s two Dialogs of Symposium and Phaedrus and then explores its relationship with philosophy and techne. In the dialog of Symposium, after being used in some different meanings, Eros is used in the sense of the longing and desire for observing absolute beauty, which is the same philosophy. This is because in Plato’s philosophy, the difference between the Idea of the good (philosophy is a motive for viewing it) and the Idea of beauty is mentally-posited. In other words, the Ideas of the good and absolute beauty are the same truth that is viewed from two points of view. Now that dialectics – an activity in which multiple details are recognized from the one and the one from multiple details – is introduced in the dialog of Phaedrus as an instrument of techne, it can be concluded that the Platonic lover, and the philosopher cannot perceive the Idea of beauty (or the good) unless through techne. The major problems in this paper are discussed based on the views of two interpreters of Plato, Gregory Velastos and Martha Nussbaum.
Manuscript profile
