Aristotle's theory of poetry entered the realm of Iranian thought with the theme that the genres of tragedy and comedy seek to imitate and mimesis virtues and vices. Aristotle's treatise on poetry, despite its role in shaping Western theater, had no effect on the worl More
Aristotle's theory of poetry entered the realm of Iranian thought with the theme that the genres of tragedy and comedy seek to imitate and mimesis virtues and vices. Aristotle's treatise on poetry, despite its role in shaping Western theater, had no effect on the world of Persian poetry. It is necessary that the theater comes from the heart of Greek ontology is a reminder of the need for Iranian drama to have a poetic outlook on Iranian culture. This book has been translated and adapted many times as a reference treatise, and one of the most prominent adaptations is Avicenna's poetry. Although the Avicenna's poetry is a report on Aristotle's poetry, he did not merely suffice to summarize it. The fundamental feature of his work is dealing with the essence of poetry, imitation or imagination. His poetry has new features, points and theories. The fundamental motive of this research is to read Avicenna's approach to the Greek sage Poetics and to study his poetry based on the main genres of Aristotle's Poetics treatise. The passage to this goal with an analytical-descriptive approach and data collection method is a library in which the researcher has achieved the theories of two Greek and Iranian scholars with the intention of Avicenna in writing iranian poetry poetics
Manuscript profile
The nature and definition of poetry has always attracted the attention of literary thinkers in the field of philosophy. Aristotle’s Poetics is one of the greatest works on the content and structural criticisms of poetry. Given his Greek culture, Aristotle believes that More
The nature and definition of poetry has always attracted the attention of literary thinkers in the field of philosophy. Aristotle’s Poetics is one of the greatest works on the content and structural criticisms of poetry. Given his Greek culture, Aristotle believes that tragedy is an imitation of an action and a kind of dramatic art which results in catharsis. In Islamic tradition, the familiarity with Aristotle’s Poetics began from the third and fourth centuries (AH) through the related translations and abridged versions. During the same century, Fārābī and then Ibn Sīnā began analyzing and commenting on Poetics in order to explore Aristotle’s views in the realm of poetry. The most important abridgement of this treatise and commentary on it were made by Ibn Sīnā under the influence of Fārābī. In Ibn Sīnā’s treatise the concept of poetry is different from that in the field of conventional poetry. Imitation is the essence of poetry whereby imagination has an efficient presence. While trying to compare the nature of poetry in the Poetics section of Ibn Sīnā’s al-Shifā and Aristotle’s Poetics, this study aims to explain Ibn Sīnā’s view of poetry and his definition of poetry and its components and demonstrate the proximity between his standpoints in this regard with those of Aristotle. The authors have employed an analytic-descriptive and comparative approach to conduct this study.
Manuscript profile
